Wheatstone dates of manufacture
Well, the biggest and miss. It around using one of a basic model 48 key english. Many, the range of raw materials used in the instrument. Concertina makers, so the english concertina is one dating to say,. Some notes on concertina connection rochelle.
6 Charles Wheatstone, Improvements in the Action of the Concertina, &c. by Vibrating Springs, British Patent to Wheatstone’s patent; after that date, the.
Charles Wheatstone. Wheatstone designed this instrument between and to play duets and accompany melodies. Just as with a regular English concertina, pressure and suction give the same note on two different reeds. Both hands nominally play the same twelve notes, but those played with the right hand sound an octave higher. Wheatstone was not only a physicist and manufacturer but also carried on a publishing business. Soon after he published an instruction book for the duet concertina and twelve books of arrangements of popular music to promote the introduction of this model.
Not on view. Public Domain. Title: Concertina. Maker: Charles Wheatstone — Date: — Geography: London, England, United Kingdom. Culture: British.
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And this one is an English concertina, and this is octagonal in shape, and it’s made by the firm of Charles Wheatstone in London. And it is their Aeola model, which meant that this was their octagonal model. This was made in the s. And it came in various sizes.
The only way to obtain an approximate date for a Jeffries instrument is from its features; there are five periods of Jeffries-family-made instruments, dating.
This site is operated by a business or businesses owned by Informa PLC and all copyright resides with them. Registered in England and Wales. Number To retain a free flow of pedestrians in the retail mall, DP Architects designed four-sided FireMaster Closed Concertina fire curtains on each of the floors around the escalator wells to offer the level of fire protection required. There is a total of eight FireMaster Closed Concertina fire curtains installed with two curtains on four floors around the escalators on levels 1, 2, 3 and 4.
All of the Concertina fire curtains were rectangular in shape ranging from 3. The largest curtain was 31 metres long by 6.
Resources in the Concertina Library for dating vintage concertinas. Do you know another resource that we should include? Tell us about it. Earlier ledgers from the Wayne Archives contain company sales records from the late s to the s along with production records from the s to the s and some early records of wages and other payments.
Later ledgers from the Dickinson Archives contain production records from to All surviving ledgers have been digitized some 2, pages in total and made available free on the web for private research.
Concertina makers, so the english concertina is one dating to say,. Some notes on concertina connection rochelle. Some notes on lachenal concertinas is one of.
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In a competitive concertina-manufacturing and selling environment, the Lachenal company produced a range of very fine instruments, including many “student” models. Anglo Lachenals are, as far as I know, all considered “student” grade. They’re good instruments with “real” steel or brass concertina reeds and construction, but the action and sound won’t be as nice or as consistent as some other makes mentioned below.
In the early s, my father bought a Wheatstone concertina in London. He tells how he visited the factory where it was made to pick one out and recalls the ledger book in which details about the concertinas were recorded. After a recent retelling of this family classic, I was inspired to see what might be online related to concertinas. I was amazed! With fourteen contributing authors , the site includes in depth articles on concertina history , technology , music , research and a wide range of concertina systems.
I particularly appreciate the reasons that Robert Gaskins, site creator, lists for the creation of the site on the about page :. The reason for this is not that the material is so valuable, but that in the past there was no way to make material of limited interest available to everyone, so it stayed safely in archives. The web has provided a way to make this material widely available—partly by the libraries themselves, and partly in collections such as this.
But again the web has provided an answer, allowing people to work collaboratively and exchange information across miles and timezones, and for the resulting articles the web offers worldwide publication at almost no cost. What an eloquent testimonial for the power of the internet to both provide access to once-inaccessible materials and support virtual collaboration within a geographically dispersed community.
Next, I found the Wheatstone Concertina Ledgers. This site features business records in the form of ledgers of the C.
Dating jeffries concertinas
The following testimonials are from players who tried our ‘traveler’ anglo. The light weight makes it possible to practice for several hours without fatigue. The tone is often compared to a Wheatstone.
Dating jeffries concertinas since, but concertina history has moved on quickly, with other contributors (like Randy Merris, Stephen Chambers.
Perhaps the most prolific of the London-based concertina makers, the Lachenal company was founded by the Swiss engineer Louis Lachenal, after his years firstly as a craftsman, then as a manager, at the Wheatstone workshops at 20 Conduit Street. A decent survey of Lachenal’s family history and his introduction of mass-production techniques into concertina manufacturing is that of Stephen Chambers , now on concertina.
After around 18 years of concertina manufacture at the Conduit Street workshops, to , the new design of concertina resulting from Louis Lachenal’s new manufacturing processes were announced in Wheatstone’s promotional leaflet of mid , the sole surviving copy of which is now in the Horniman Museum Wayne Collection. The 40 or so Lachenal concertinas in the Collection show the development of his key concertinas based on the designs he had produced whilst at Wheatstones, but the Lachenal factory built up a widespread network of dealers throughout Britain and around the world; we show below a selection of links to some of the dealers’ labels appearing on Lachenal instruments in the Collection.
We list below short summaries of some of the Lachenal instruments in the Collection, including Item C. It was owned by Marie Lachenal , Louis’s daughter, who was a noted performer and promoter of the family’s instruments throughout the s and s. An early appearance of reeds stamped in a tiny font-size with the r eed-frame size-number , corresponding to the number specified on the circular pan-labels.
The instrument has a spurious ” C Wheatstone’s Patent Concertina ” label, at the very top of which, is added in very small lettering ” equal to “! Now since the instrument still has the Louis Lachenal address on each of the pan-labels such address details are almost always excised if the instrument is marketed or re-labelled by a dealer one might assume that this spurious label is of Louis Lachenal origin. Original fine rosewood-veneered case. A degree of recent ” restoration ” has led to the instrument now having a reproduction Louis Lachenal label, new pallets, new valve-flaps to reeds, and a new sub-fret baffle.
The inner action face has the stamp of David J Leese , restorer and repairer, dated Louis Lachenal label, serial number on sub-fret white chamois baffles.
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This Charles Jeffries never knew a thing, never been taught anything— most extraordinary, as he turned out an instrument that no other maker could equal. He used the hardest steel there was, very solid. As far as we know, Charles Jeffries had no technical training and was never employed by any of the previously established concertina makers; 2 yet he somehow managed to produce concertinas that are widely regarded as among the best ever made.
Jefferys, Parade Street, Paddington, W. Today, the instruments made by Charles Jeffries command some of the greatest interest and highest prices of any vintage concertinas.
The left and center instruments date to and circa , respectively. The concertina at right is modern, made with accordion reeds. Credit.
The donor, Frederick Horniman, included some two hundred musical instruments in the gift of his collection and the Museum building. The Horniman is one of the few UK museums that collects instruments of popular music. In , the Museum acquired a large collection of concertinas, a bellows-blown free reed instrument that was the invention of another illustrious Victorian. Sir Charles Wheatstone was a physicist best known for his work on the electric telegraph, and as an inventor of scientific instruments.
The collection comprised over six hundred free reed instruments, together with an archive that included concertina music, recordings and postcards of famous concertina players. Among the highlights are twelve ledgers from the C.
The Anglo or Anglo-German concertina is a member of the concertina family of free-reed instruments. The Anglo originated as a hybrid between the English and German concertinas. The button layouts are generally the same as the original button German concertinas designed by Carl Friedrich Uhlig in Within a few years of that date, the German concertina was a popular import in England, Ireland, and North America, due to its ease of use and relatively low price.
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There are lots that match your search criteria. Subscribe now to get instant access to the full price guide service. Vintage 9ct Rotary Junior dress watch, champagne dial, Arabic numerals, subsidiary second dial, 21mm, currently running , 9ct Garrard dress watch 19mm diameter currently running both on associated plated concertina straps 2. Vintage ‘Unicorn’ 9ct dress watch, sunburst dial, arabic numerals, 25mm, currently running 9ct concertina bacelet, Vintage 9ct dress watch, engraved gilt dial with silvered chapter ring, Arabic numerals, 26mm not currently running 9ct concertina bracelet, Vintage gents 9ct Garrard automatic dress watch, issued for 25 years service , champagne dial, date aperture, 35mm currently running , asociated concertina strap, box and tie clip.
Vintage gents 9ct Certina dress watch, champagne dial with baton markers, 34mm Dennison case currently running , associated concertina strap, box. A 15ct gold bracelet of expanding concertina linking: stamped ‘Baden’ and ’15’, approximately 15gms gross weight. Advertising: A rare “Clark ‘Anchor’ stranded cotton for embroidery” glass topped Haberdasher’s shop display cabinet of three concertina-action drawers. Concertina English system, 48 buttons, maker’s plaque ‘C. Inventors London’ serial number , ebonised endplates, in manufacturers hard case; together with an autoharp.
Concertina with plaque ‘C.